The Japanese monster film became the archetype for cheap, cheesy disaster movies because of the sort of culture and technological interference pattern that still characterize the reception of Japanese science fiction in north america today.(vii, Robot Ghosts and Wired dreams)
The concept of Godzilla (1954) is similar to the concept of King Kong (1933) in the sense that both of the film have monsters destroying a city and both films have a franchise. The aesthetic in the film are not as important as the over plot of the film because of the technology that was available at the time and Godzilla is a very politically themed movie which reflect of the end of the war. Giant monster movies are as popular today as there was in 1954 and these films are being reproduced or influencing similar themed narratives. For example The Host (2006) and Cloverfield (2008) are both film about a giant monster that take over the city so the citizen have to escape. except from the fact that The host is made in Korea and Cloverfield is made in America ; they are the same movie pretty much. Now Japan 28 Godzilla movies and 4 television show according to the Wikipedia page but this doesn’t include the movies that Godzilla inspired or the other film in the Godzilla franchise. America are planning on doing a reboot of their 1998 attempt of the film, the film is release on 16th may 2014 but there are a few other rumored american remake film like Death Note and Akira which have remained to be seen or not ??
In the Godzilla films we see another common characteristic of Japanese popular narrative: Both the destructive and potentially productive aspects of technology are explored.(PP172, Robot Ghosts and Wired Dreams)
The destruct behavior that the article discusses is not just from Giant monster but all Japanese films have element of destruction whether it be the destructive behavior of the youth like in Suicide Circle which is a physiological movie or the destructive force comes from an unknown source like in a horror movie like in Audition where the destructive behavior comes from an unlikely source. The concepts and theme’s from Japanese films are hard to translate because they filled with cultural reference’s. Cloverflield and The Host are two good example of films that work well; they have not taken the name away from the Japanese classic. The cultural expectation for a Godzilla movies will be quite high from people who love Japanese movies and this means staying true the original.